studious

Silver Scales is HERE!

medium-silverscales-cover

He's had his whole life to save his soul from damnation ... and now he's out of time.

The fate of Sir Damon Kildare’s soul rests on finding the silver scales of a living dragon, a quest the woman who damned him wants him to fail. Kildare expects to fail, too: the last dragon was slain eighteen years ago by humans intent on genocide. And the scales are only one part of the infernal challenge: there are two more he hasn't even identified, much less obtained.

But the daughter of the last surviving dragonslayer, Zenobia Gardsmark, is determined to save his soul. She has aid from unlikely corners: from Madden, Kildare's magical hare companion, to indomitable ogres and determined schoolgirls. She'll need whatever help she can get, because all the forces of Hell are against them, and time is running out...

Will God allow demons to drag a good man into the Abyss? And will Zenobia and their friends find the answer before it's too late?



Available now from an e-book-store near your mouse cursor!



I started writing Silver Scales on February 17, 2003. At the time, I'd been working on a Very Serious epic fantasy for the last eight months. The Very Serious epic fantasy was a kind of book I'd never read, which I'd initially taken for originality. But by this time I'd realized it was less "this kind of book doesn't exist" and more "this is not the kind of book I actually like to read so I never seek it out."

Silver Scales would be different. In it, I wrote exactly the kind of book I wanted to read. It's shamelessly inspired by Diana Wynne Jones's lighthearted, cheerful fantasies. I put in my favorite tropes: magic -- of course! -- used to make everyday life better and easier. Talking animal companions! Religion, as both struggle and celebration. Romance! Intelligent fantasy races living alongside humans. Dragons! Men saving women in distress! Women saving men in distress!

Because I am all about people saving one another, y'all.

I wanted a story where people grappled with problems that mattered to them, but where those problems were not the totality of their lives, and certainly not their world. It's a book full throughout of both setbacks and triumphs.

This book, out of all my unpublished works, has lingered in the minds of early readers. Alinsa typeset an early version of it for me in 2015, as a surprise gift and in token of her desire to see it in print. "Publish Silver Scales," Lut said to me, every day, for months after I released A Rational Arrangement. "If people like ARA, they will love Scales."

There, Lut. I've published it.

This entry was originally posted at https://rowyn.dreamwidth.org/620357.html. Please comment there using OpenID.
current

October in Review

Health/Fitness
I've been driving to work a lot, which is one part laziness, one part "I need to be able to get home in a hurry if something goes wrong with Lut" and one part miscellaneous adulting. Last week, for instance, I had a health clinic, a dentist appt, and coffee with a United Way rep. I also had to leave work early on Weds because Lut wasn't well enough to safely navigate the house on his own.

I've been eating more vegetables, though? So there's that. I started bringing nuke-in-the-bag frozen broccoli with cheese to work for a snack. It's a pretty good compromise between "actually healthy", "wiling to eat" and "convenient".

Writing

I did very little writing this month. I finished Demon's Lure, which was maybe a couple thousand words. And wrote maybe five hundred words of Fellwater.
The Business of Writing
I did a lot more here:
* Finished last round of edits on The Sun Etherium before first readers
* Finished proofreading ebook of Silver Scales in advance of release.
* Finished last round of edits on The Sun Etherium before layout
* Finished last round of edits on Golden Coils before layout

The ebook for Scales is ready for release apart from cover layout. (I have cover art, just need to put text on it.) So that'll happen soonish.

Art/Other
I did a couple more icons for Scales, and a random ink sketch for Inktober because why not. I did a fan art sketch for Poison Kiss, too. It's also partly colored now but I haven't finished it up.

I read four books by people who aren't me, which was one of last month's goals. Not as many as I'd've liked to, but that was a reasonable number.
Goals for coming month

* Release Scales
* Attempt Nanowrimo
* Do not beat myself up or push myself on Nanowrimo

I want to do Nano, because it's been ages since I wrote a substantial amount of words-per-day. I also feel incredibly rusty and out of practice. So I'm nervous about trying to dive back in. Especially given Lut's health.

Hence: I'm going to try it, but if it doesn't work out, oh well.

I am also giving myself permission to work on more than one story if I want. I'm currently leaning towards writing the second Demon book, because the outline for it is in pretty good shape and I'm excited about the events that come next. But if I decide to work on finishing Fellwater, or work on a new project, that's fine too. I'll count any words of new fiction towards the Nano total. I have completed six books, from draft to final edits. I don't feel like I still need to prove that I can stick with a project to completion. If I wanna multitask, hey, that works.

This entry was originally posted at https://rowyn.dreamwidth.org/620101.html. Please comment there using OpenID.
tired

Health and General News Update

Lut was running a fever on Friday, and by Saturday it was over 100.5, the threshold his oncologist had set where he was supposed to go to the ER. He resisted going in the morning, so I gave him an acetaminophen and turned off the mattress pad heater and it dropped below 100 for several hours. But by evening it was over 101 again. So at 8PM on Saturday night, we finally went to the ER. His fever had broken again by the time we got to the ER: Lut suggested I take his temperature in the car and if it was normal we could go home. But I figured we were there and we might as well go in. We didn't have as long a wait this time as when we went for his accelerated heart rate in September. This time, he was in an examining room with twenty or thirty minutes.

Because he's a chemotherapy patient with bone marrow cancer, his white blood cell count is terrible and his immune system is pretty much trashed. So they are SUPER AGGRESSIVE about treating possible infection. They took blood samples, chest x-rays, a flu swab (even though he's had a flu shot) and started treating him with anitbiotics and tamiflu within an hour or so. "We don't even know if he has the flu or pneumonia yet but we're going to throw every thing at him anyway. JUST IN CASE." They told me they were going to admit him to the hospital just as soon as they had a room to move him to.

At 11:30PM, I went home alone, then came back Sunday morning. They still didn't know what was wrong with him, and it's possible the fever wasn't the result of any specific infection, more a general reaction to his low white blood count. I spent the day with him; he seems back to normal-for-cancer, really.

This morning, they took him for a bone marrow biopsy. The oncology nurse had mentioned last week that they'd want one in six weeks or so, but I guess they decided to move up the timetable on that. His oncologist may be worried that he's not responding well enough to the chemotherapy.

The hospital took blood cultures on Saturday night, and those results are supposed to come back sometime today. If those also don't show anything, we hopefully get to go home today. He usually gets a chemo injection on Mondays, and the hospital will do that in his room instead of us going to the cancer center.

In the meantime, I am trying to keep myself distracted from fretting and to get some stuff done. I posted my interview of Kyell Gold, one of my fellow Storybundle authors! That was fun. The SFWA Fantasy Storybundle only runs another ten days, so if you want it, now's the time! Twelve fantasy books for $15 -- it's a good deal!

I mentioned this over on Twitter, but forgot to say anything here: Janine Southard interviewed me on her blog a few days, so that was also cool.

I added 1600 words or so to The Sun Etherium, fleshing out various bits per first-reader suggestions. That was surprisingly fun. People had good suggestions (which they usually do) and I enjoyed adding to it (which is not as common.) I still need to do a read-through of all the first reader comments and make other little adjustments, but most of the big stuff is done now.

Work proceeds apace on the layout of Silver Scales. Alinsa got an early draft of the epub back to me, and I am dutifully reading the book again. This is ostensibly to catch any conversion errors introduced by making Google doc into epub. I have caught a few of those! In practice, it also means that I catch some more typos and editing artifacts that I and my first readers all missed on the first 20+ read-throughs. And, inevitably, I fiddle with the wording on a few things. I try to keep "fiddling" down to a minimum. At this point, the text is the book I want to print.

I am planning to do Nanowrimo this year, assuming 4thewords.com gives a big discount coupon as one of the Nano prizes like they have the last couple of years. Yes, that is my biggest motivator for doing Nanowrimo: a discount on my writing motivational tool/game. I haven't decided what I'm going to write for Nano, though. I've been thinking about Fellwater again: that's the ridiculous fantasy BDSM extremely-dubious dubcon erotica I started last November and got bored of in February or so. I might write that. I might start the sequel to Demon's Lure. I might work on a new story set in the Etherium multiverse, but using mortal characters and set in one of the worlds the fey shard passes through. It'd only tangentially feature the fey. Those are the top contenders right now.

If I don't end up doing Nano, or if I lose Nano this year, I'm not going to beat myself up about it. I am also going to count myself as winning Nano if I write 50k of fiction, even if it's not 50k on the same book. (In particular, Fellwater probably doesn't need 50k more to finish it.)

Ideally, I'd like to finish proofing Scales, and get both The Sun Etherium and Birthright to Alinsa's hands before November started. In practice, I'll be happy if I just get Scales finished and declare Birthright done. All I need to do with Birthright is proofread a couple of new scenes that I added, so that'll be easy. I should also do some promotional stuff for Scales. Like writing the launch post and doing some graphics. For now, I will get back to proofreading.

This entry was originally posted at https://rowyn.dreamwidth.org/619845.html. Please comment there using OpenID.
Me 2012

Interview with Kyell Gold

Kyell Gold is one of my fellow authors in the SFWA Fantasy Storybundle. He kindly agreed to let me interview him, which I was very excited to do because I'd just read and greatly enjoyed his book, Black Angel. I had many questions for him!


You've had a long career as both author and editor! Please share some of the highlights.

I feel like my career is full of highlights. I've been invited to a number of conventions as a guest in places like Dallas, Minneapolis, Seattle, Toronto, Berlin, and Melbourne and Gold Coast, Australia. I've met some truly remarkable people, and conducted a number of panels. I've gotten countless letters from people whose lives have been touched by my books, and each one of those is special. Making the decision to move to writing full-time was a highlight, and teaching at the first residential writing workshop for the furry fandom was another.


There's something of a spectrum in furry fiction, from "these characters could have been human but are furry for aesthetic purposes" (like Disney's Robin Hood) to "this story would make no sense if the characters were human" (such as Richard Adam's Watership Down). Where do you feel your work fits in? Is furriness more plot-critical in some of your books than others?

I'm probably more on the Robin Hood end of the scale, but I always try to work some aspect of the furriness into the plot of the books. Meg's story, because she's an otter, incorporates a lot of water imagery. Green Fairy, the first book in the series, starts with a wolf telling his family that he doesn't want to eat meat anymore.


Two real-world religions figure significantly in Black Angel: vodou and Christianity. What led you to choose those religions in this story? What research did you do to help you portray them?

Christianity is what I'm familiar with, having grown up in it. Like any dominant religion, it is vulnerable to having its principles twisted to create an inequal society. In this case, I was taking the example of some small groups who use Christian texts to justify restricting women's rights. Vodou I chose for the opposite reason: it's a misunderstood religion that puts women in positions of power--the most famous practitioner is Marie Laveau.

To research fundamentalist Christianity, I looked through contemporary news articles (sadly). For vodou, I walked through a traveling museum exhibit, read two books on late 1800s New Orleans, and visited modern day New Orleans to see a voodoo temple and talk to a voodoo priestess (as part of a tour of haunted New Orleans, so I had to take that with a grain of salt, but it was valuable).



One of the characters in Black Angel self-medicates her depression with alcohol and pot, neither of which she can acquire legally. These are fraught subjects, and I am curious to hear more of your thought process on making both self-medication and depression part of the story, and the way you chose to present them.

Depression is something that over the last decade I've become more educated about and aware of. I believe in the power of demystifying through fiction--part of why I like writing about gay relationships is that many people don't have an established idea of what those relationships are like, and many gay people don't have a lot of representation in fiction. I wrote a short story about depression a while back that won an Ursa Major Award ("How To Get Through The Day"), and I thought it would be good to revisit the subject with more education and feel for the complexity of it. I'd like people suffering from depression to feel that they're not alone, even if their company is a fictional character.

As for the alcohol and pot use, well, that's something that teens do. I don't advocate it, but neither does it feel right to completely ignore it. I tried to present their use in a balanced light. Ultimately, neither is really a good solution to the character's problem.



I love your use of mixed first and third-person, and past and present tense in Black Angel. One doesn't see those mixed often, and seldom to such good effect. How did you come up with it?

I've always liked playing around with points of view and ways to tell a story. When I wrote the first book in the series, I was trying to meet the challenge of melding a historical narrative with a modern-day one, and I wanted them to be stylistically distinct. The historical narrative--one of them--was supposed to be an autobiography of sorts, and so having it in first person made sense. I kept that theme going in the rest of the series--each of the books has multiple narratives with different points of view. For Black Angel, in fact, the main narrative was originally in third person, as the main ones were in the previous books, and I was struggling with which of the side narratives to put in first person, because neither felt right. It seems strange that it didn't occur to me until I'd already written several chapters that Meg should be the one in first person, because it felt so natural when I switched it.


The book blurb on StoryBundle made me think that Meg's sexuality would be something like "girl assumes she is straight and then later figures she's either bi or lesbian." I found the actual text is much more nuanced and interesting than that, and would like to invite you to elaborate on Meg's theme of "really, I'm 19, I have done research, and I don't actually know how I feel" and the way most of her friends push/encourage her to Make a Choice or at least Try Things. What drew you to this subject?

Any gay person over 30 has probably been told at least once in their life that they're not really gay, it's just a phase, they just need to meet the right man/woman, etc. Bisexual people are told that they're just gay and in denial. Mainstream America's repertoire of knowledge about sexual orientation is expanding, but there are still people who, when they encounter something outside of it, will try to slot it into an existing box. A trans friend of mine made a really important distinction between two behaviors from friends of hers. Some of them would *tell* her what she was going through; the others *asked* her and listened to her story. I think that's really important, and all of us fall into that trap. Often it's out of the best of intentions: we see someone confused and we want to help them. But we have to listen to them articulate the kind of help they actually want, the kind that will be of the most benefit to them.


Black Angel has several interior illustrations by your cover artist, Rukis. Do you regard the artwork as integral to the story, or a way to help readers visualize the characters/setting, or something else?

With furry fiction, illustrations really help readers visualize the characters. As you noted, there are a lot of different variations in the way people create their characters, and rather than awkward descriptions that rely on referents outside the world of the story, it's nice to have an illustration to put the image into the reader's mind.


What furry and/or fantasy authors have you found inspirational or formative in your work?

Madeleine L'Engle was the first fantasy author I read, and I read her work over and over again. Her feel for genuine characters and the way human challenges are at the core of any story have been inspirations my whole life. Andre Norton was another author whose works I devoured. Most recently, I've found David Mitchell an inspiration.

In the furry fandom, my friends and colleagues Watts Martin, Ryan Campbell, Malcolm Cross, and Kevin Frane have written some great stuff that's inspired me to keep getting better.



Black Angel is a standalone novel, but it's also part of the three-book Dangerous Spirits series. Tell us more about the other books in the series. Is there a recommended reading order? Will there be more books in the setting?

Green Fairy, the first one I wrote, follows Sol, a wolf, through his struggles to get through the last year of high school with a long-distance boyfriend. He finds some solace in a book written by a gay chamois in 1900s Paris, but then starts to dream that he's one of the other characters in the book and gets a different perspective on the story. The dream starts creeping into his waking life, and things quickly get bad both in his life and in his dreams. This story is about confidence in yourself despite the views of the people around you.

Red Devil is Alexei's story--Sol's fox friend--and picks up after they've left high school. Alexei fled an abusive family in Russia, but his sister is still there and he's trying to get her home. At the same time, he's having issues of confidence with a guy he wants to date, so he decides to try summoning Sol's ghost. But the summoning goes wrong and brings him an old Russian soldier who does not approve of his life. This book focuses a lot on issues of family, what it means to be family and who constitutes your family.

I'd recommend starting with Green Fairy and going on to Red Devil and then Black Angel, because that's the chronological order of the story, and while they all stand alone, each of the later books contains a bit of spoiler for the previous ones. As for continuing the series...no plans right now. I'm not sure where I'd go with it. But I do have a new book coming out this year, Camouflage, that is kind of a spiritual cousin to this series. Except it has actual time travel in it.


This entry was originally posted at https://rowyn.dreamwidth.org/619558.html. Please comment there using OpenID.
studious

Ridiculous! by DL Carter

This is a charming Regency romance framed around the "woman presents as man in order to do things prohibited to women" device. In her case, she's impersonating a specific man after his death, so she and her female relations won't be turned out by his heir. I normally dislike this kind of device, but it's pretty fun here. Mostly this is because Millicent is hoot: she decides she's never going to pass as a fashionable or ideal man, so she sets her persona as a rattle: unserious, continually bantering and joking and being ridiculous. She is utterly delightful. Her male love interest, Shoffer, does not deserve her. The first 2/3rds of the book are wonderful, with most of the action dealing with various social problems, most unrelated to her ruse. Most of them are lighthearted and all are resolved by wit.

The last third is somewhat marred by the romance part kicking in. Shoffer's treatment of Millicent-as-woman is just ... meh. He feels typically misogynistic towards her, and it's in keeping with the period but not nearly as fun or appealing as his treatment of her when he thought she was a man. He improves before the end, but still.

Even so, there's a lot of fun stuff in the last part of the book, so well-worth reading. This was totally going to be a 9, but I'm downgrading it to 8 for wobbling on the ending. Nonetheless, had a good time, well worth reading.

Also, I kinda want to write a trans man story using the same kind of framing, but I'm not sure I have the patience to write in a trans-hostile, misogynistic setting for long enough to do so. -_-

This entry was originally posted at https://rowyn.dreamwidth.org/619295.html. Please comment there using OpenID.
studious

Black Angel, by Kyell Gold

Black Angel is one of the books in the SFWA Fantasy Storybundle! I was excited to read it, having heard good things about Gold's work, and my good expectations were rewarded. The novel contains a mix of genres: YA, slice-of-life, queer lit, furry, fantasy, science fiction, horror, and romance, not necessarily in that order.

I found it fascinating and immersive, a deeply believable book. Three different stories are woven together: 

* Marie-Belle, a bayou muskrat girl in 1916 whose family wants her to marry and who would rather be a vodou priestess like her grandmother.
* Hannah, a lesbian otter in a strict and grimly depressing Christian-cult future
* Meg, an struggling artist in 2013 who's questioning her sexuality and also her sanity.

The struggling artist, Meg, is compulsively and somewhat unwillingly drawing a comic about the first girl, and having vivid, life-like dreams about the second. Most of the book is about Meg.  There's also a strong supernatural element: Meg's closest friends have had experiences with ghosts and visions/life-like dreams. Meg leans heavily towards "they are crazy and so am I" when she starts having her own possibly-supernatural experiences. The setting is pretty Earth-like, with furry touches: eg, some of the otter characters have houses that incorporate pools or have submerged "floors", characters may have keener noses or ears depending on species, etc.

There is a lot else going on in the book. For example, Meg used to be on prescription anti-depressants and quit them because she felt numb of them. She now self-medicates with alcohol and weed (both illegally obtained.) It's a nuanced portrayal, which has both aspects of "this doesn't seem healthy" and "but it does help sometimes?" That goes for both the prescribed and illegal drugs.

I thought, from the blurb, that Meg was going to be "girl who thought she was straight and now thinks she might be lesbian or bi". But her starting point is more like "asexual??? straight??? Lesbian???? Bi??????? I DON'T KNOW". She is not attracted to anyone or interested in sex, but she kind of wants to be and all of her friends keep pushing her to "get out there! Experiment! How else will you knooooow?" I had the simultaneous experience of gaping at her friends ("what is wrong with you? That is a terrible plan") and also feeling like it was exactly the experience a lot of people go through. I didn't have this problem myself, even though I didn't meet anyone I was attracted to until college. But I know people who did.

The characters are vividly drawn and distinctive. Even the supporting cast has an array of different speech patterns and they're easy to tell apart. All three main characters feel like very different personalities, even when Meg and Hannah think they're each other's dreams. Most of the conflict in the book is driven not by evil or cruelty, but by people trying to do the right thing, or what they think they are supposed to do. Even the "Dangerous Spirits" of the series title feel like complex individuals who are acting rationally within their own belief system. (Which, y'know, does not make them less dangerous.)

One touch I particularly admired: Meg's part of the story is first-person past tense. Marie-Belle's story, which Meg experiences in a kind of creative fugue, is 3rd person present. Hannah's is 3rd person past. It's one of the few times where I've seen this kind of switch and not only thought "that's fine" but "oh, that works really well for conveying the differences in their narratives."

I enjoyed the book a good deal, especially the second half, where it picked up momentum and urgency. I have some quibbles with it, but most of why I give it an 8 and not a 9 is that the subject matter isn't perfectly to my tastes. Eg, the trope of "oppressed women whose society tries to forces them into marriage" is one I am pretty sick of.  Meg is prickly, defensive, and copes with problems a lot by putting them off or ignoring them, which I simultaneously relate to and also find exasperating. (Hi yes it me but it's STILL annoying.) She grew on me as the book went on, but for the first 20 pages I was iffy about her.

I am going to wrap this up with some things behind a spoiler tag, because they are spoilers but also significant to many queer readers. Collapse )

This entry was originally posted at https://rowyn.dreamwidth.org/619120.html. Please comment there using OpenID.
studious

Surprise Completed Draft

I've been working on the current draft of Demon's Lure since February. Technically, it's a book I started in 2009, but I only wrote around 5000 words back then, plus a rough outline. I scrapped most of the outline and started writing again from scratch. The book went much better this time around.

But, while I'd written a detailed outline for the new version, my draft had severely diverged from the original outline. From where I am now, the rest of the outline works remarkably well all things considered, despite that I've kept changing things as I wrote the story.

The changes I'd made had, however, made the first half of the book much longer than I'd anticipated. I was at 80,000 words and less than 60% of the way through the outline. I complained to Maggie that the book might end up over 150,000 words, instead of the 100-120k I'd been targeting.

"Split it in half?" she suggested.

"Split it in half" is what multiple people advised me to do with Silver Scales and A Rational Arrangement, and in both cases I declined because I don't feel like either book made a satisfying story if I chopped it into two parts. But the way I'd changed Demon's Lure already from the outline did make the current section a reasonably good break point. The central conflict may not have been exactly resolved, but it has mutated dramatically, to the point where it's really a different conflict now. I could finish out the current scene and it ends on a "this obviously needs a sequel" note, but it wouldn't be a total cliffhanger.

So I wrote the rest of the scene and went "Huh. So I guess I finished a book?"

It needs considerable revising and probably some new scenes before I am ready for beta readers on it. I expect that I will plug away at Book 2 as my next-thing-to-write, although I'm not ruling out letting myself work on a different book. I won't be releasing Demon's Lure until 2018 anyway, because I have three books coming out in the next eleven weeks and that's plenty. Really.

But I feel pretty good about having finished a draft and edited three books, with eleven weeks still to go in 2017. I mean, "edit The Sun Etherium and draft another book" was one of my STRETCH goals for this year. I have already finished my regular goals. And those were set when I didn't know Lut had cancer. o__o

Granted, I've decided against serializing Scales and I was still editing it in June and nowhere near releasing it. So my time scale has slipped and I removed one of my goals for business reasons. Even so.

... I still feel kind of like I should finish drafts for another two books this year, though. So I can be sure of releasing three books in 2018 too. And I do have most of a draft of Fellwater written, and book two of Demon's Lure would be comparatively short, by my usual standards ...

I'm not gonna push for this, though. One thing at a time. And Lut is still sick and the new normal is different and not as conducive to writing as the old normal. I need to remember this and not charge off thinking I can write 3000 words in a day and everything else in life will sort itself out.

Regardless: I finished a draft! \o/

This entry was originally posted at https://rowyn.dreamwidth.org/618952.html. Please comment there using OpenID.
studious

Poison Kiss, by Ana Mardoll

Poison Kiss is a polyamorous fantasy romance, so you can pretty much tell right there why I decided to read it. :)

The story is about half romance and half action-adventure fantasy. The action-adventure half consists of the human protagonists dealing with truly evil, nasty faery folk from an alternate world. The story opens with two of the protagonists imprisoned in the faery world. The faery world is depicted as awful for everyone: worst for the enslaved humans, who have their memories obliterated and are transformed, toyed with, controlled, broken, and killed at the whim of their faery masters, or their masters' rivals.  But it struck me that even the faeries doing the imprisoning sounded like they had miserable, friendless lives full of pretense, backstabbing, and murdering or being murdered by one another. All of it is dressed up with beautiful backdrops, palaces, and fancy balls, but everything is joyless.

Fortunately, most of the book takes place "Earthside", although there is always the specter of being recaptured, and that specter is brutal and terrifying in a way that merely being threatened with death is not. The entire cast consists of people who survived faery enslavement, and everyone feels convincingly like a trauma and abuse survivor. This is well-handled: I didn't feel like the story was wallowing in it or trying to traumatize me as the reader, but I could completely relate to their fears and coping mechanisms.

Some of why the faery world is so grim is revealed over the course of the story, and is fascinating itself.

I am not a big fan of "brutal and terrifying magical world", as anyone who's read my work can probably guess. The fantasy plot was solid and well done, with the resolution of various arcs surprising yet logical. I had some minor quibbles ("why doesn't anyone at least suggest [obvious patch for problem]") but nothing serious.

The characters are loveable; I found the choice to make the male protagonist a naïf charming: it's a part men rarely get to play. And he is adorable and sweet, if less well-established than the other characters.

This is a love-at-first-sight book: the three protagonists form into a happy triad within two or three days of first meeting their third. I am not a big fan of love-at-first sight*, but that aside, they make a lovely, supportive triad and I enjoyed the HEA.

So on my "enjoyed it"scale, I'll give it an 8. No actual flaws, just a taste mismatch on tropes.

* Yes, even though I do write love-at-first-sight. Romance where the characters don't start out hating each other and gradually fall in love is hard, y'all.

This entry was originally posted at https://rowyn.dreamwidth.org/618724.html. Please comment there using OpenID.
studious

SFWA Fantasy StoryBundle!

 The High House by James Stoddard Sorcerous Moons - Book 1 - Lonen's War by Jeffe Kennedy Cracked: A Magic iPhone Story by Janine A. Southard The Dashkova Memoirs: Books 1-4 by Thomas K. Carpenter The Winter Boy by Sally Wiener Grotta The Garden of Abracadabra by Lisa Mason The Moon Etherium by L. Rowyn Black Angel by Kyell Gold Shadows in the Water by Kory M. Shrum Stay Crazy by Erica L. Satifka Off Leash by Daniel Potter The Wolf at the End of the World by Douglas Smith

Eeeeeeee!

The Moon Etherium is in a StoryBundle this month, with eleven other fantastic fantasies by fellow SFWA authors!

If you're not familiar with StoryBundle: the site collects a group of similar books (in this case, Cat Rambo curated the works -- and included mine, so you can tell she has excellent taste) into a pay-what-you-want package.  For a minimum of $5, you get the basic four books, which are:

  • The High House, by James Stoddard
  • Sorcerous Moons - Book 1 - Lonen's War, by Jeffe Kennedy
  • Cracked: A Magic iPhone Story, by Janine A. Southard
  • The Dashkova Memoirs: Books 1-4, by Thomas K. Carpenter
For another $10, you get eight more bonus books! Including mine!  Which you probably already have if you want it but HEY there's still eleven excellent books you might not have yet!

If you've never bought from StoryBundle before: they're very easy to use.  They keep records of your purchases indefinitely, so you can download and re-download whenever you want. And if you use the Kindle app, they'll send books directly to your Kindle reader. You can also gift books to other people through it. And all of their books are DRM-free.

Also! Proceeds from sales are split up to three ways. There's a slider that sets the cut between the authors and the StoryBundle site: it defaults to 70% to the authors and 30% to Storybundle, which is the usual author/Amazon split. You can adjust the slider, though!  Independently of adjusting how much you pay.  So you can give a bigger cut to the authors, or to Storybundle. And you can opt to give 10% of your payment to the charity for this StoryBundle, which is SFWA*!

Anyway, I will be prattling on more about this bundle as the month goes on (the promotion ends Nov. 3), because I am excited to be part of a StoryBundle (eeeee!) 

* Yep, SFWA is a charity! SFWA's mission is to support, defend, advocate, educate, and promote the SFF community. This entry was originally posted at https://rowyn.dreamwidth.org/618489.html. Please comment there using OpenID.
studious

Dreamhearth, by MCA Hogarth

Over the weekend, I finished my pre-first-reader edits on The Sun Etherium. I also added a thousand words or so to Golden Coils. I still feel like GC could use another read-through to catch editing artifacts.

I also felt like it was High Time I started on my Yes Really I'm Going to Read Books That I Did Not Write This Month goal. So I put aside Golden Coils and pulled out MCA Hogarth's latest book. And now it's time for a

BOOK REVIEW

Me: I'm too slow a reader to finish a book in a day any more
Also me: *finishes reading Dreamhearth in a day*

Dreamhearth is the third book in the Dreamhealers series, and the most pastoral of the first three. It continues to be the story of a happy asexual partnership between Jahir and Vasiht'h, esper xenotherapists. The overarching plot is "will Jahir and Vasiht'h be allowed permanent residency on Starbase Veta?" because the starbase has strong limits on immigration. The secondary plot is Vasiht'h coping with the sense of being technically an adult and yet not really feeling like a grown-up, which, yup, we've all been there, V. Then there are various subplots winding through it: side stories about their friends, patients, and rivals on the base.

It started out slow for me, with many "this is what life is like on a starbase so high-tech it pretty much feels like living on a planet" scenes. Once it delved into the stories of their patients and the existing xenotherapist community on Veta, however, I found it engaging. I loved watching the characters solve problems that were not life-threatening, but were nonetheless important. And when sometimes the "solution" is really more "here is how to cope with or make this problem less severe because it's never going to be truly solved." Problems I can't really solve, only mitigate, and that aren't going to kill anyone, are a big theme in my real life. It was lovely to see the impact of everyday problems acknowledged in an sf book. And I loved watching the characters cope with ordinary life and stresses, after getting through trauma and action-filled events in prior books. The prosaic problems are kept in proportion but not minimized.

The ending was a bit more twee than I would've preferred, but overall, I had a good time and would definitely recommend. I'll rate it an 8.

*

I am going to start another book today! It is a weird, weird feeling to deliberately not be either editing or writing. I may cave and do a little writing today. Part of me is absolutely convinced that I will never finish another draft again. Never mind that I've finished six books in the last three years, or that I've written 200,000+ words in the last twelve months, or that I have two different drafts that are two-thirds or more finished. That I've not finished a draft in the last ten months CLEARLY means I'm doomed. 9_9

Brain. Chill. It'll be fine. Nanowrimo's in three weeks and you will want to do all the writing then anyway. For now, relax. Here, read another book.

This entry was originally posted at https://rowyn.dreamwidth.org/618176.html. Please comment there using OpenID.